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How do you create a custom sequence preset? The Settings tab is used to customize an existing preset or to create a new custom preset. Premiere Pro makes this easy by describing the presets in terms of camera systems. Timecode is the universal system for measuring time in hours, minutes, seconds, and frames.
The number of frames per second varies depending on the recording format. To create a sequence, you need to import media files into your project. This might include video footage, animation files, narration, music, atmospheric sound, graphics, or photos. Everything you include in a sequence must be imported before it can be used. Any item included in a sequence will always also be included in the Project panel.
Whichever way you approach editing sequences, importing clips to the Project panel and organizing them is the first step. Continue to work with your project file from the previous lesson, or open it from your hard drive.
The pointer is called a clip, and you can think of a clip as a special kind of alias macOS or shortcut Windows. A copy of the clip is added to the sequence with instructions to play only the part you selected. This changes the apparent duration in the sequence, even though the full original duration in the media file is unchanged.
Also, if you add an effect to a clip to brighten the image, the effect is applied to the clip, not the media file it links to.
Media can be imported in two principal ways. Using the Media Browser. Being able to see this metadata which contains important information, such as clip duration, recording date, and file type W makes it easier to select the correct clip in a long list. Tip If you want to import assets used in another Premiere Pro project, you can browse inside that project in the Media Browser panel. You can select and import clips and sequences to your current Project panel.
Like any other panel, you can position the Media Browser in another panel group by dragging its panel name sometimes referred to as the panel tab. You can also undock it to make it a floating panel by clicking the menu next to the panel name and choosing Undock Panel. The contents of your storage are displayed as navigation folders on the left, with buttons to navigate forward and backward at the top.
You can use arrow keys to select items. There are several benefits to using the Media Browser: Note You can open multiple project files at the same time. This makes it easy to copy clips from one project to another. If you do, remember you are copying the clip and not the media it links to. Viewing and customizing the kinds of metadata to display. Correctly displaying media that has spanned clips across multiple camera media cards. Premiere Pro will automatically import the files as a single clip even if a longer video file filled a storage card and continued onto a second.
You can switch between the two whenever you like. Premiere Pro can automate creating proxy files during import. This dialog box contains the original project setup options you saw when creating the project. You can change any setting at any time. By default, all the Ingest options are deselected.
Whichever ingest option you choose, the actions will be performed regardless of the way you import media files from now on. Files you have already imported are not affected. Enable Ingest by selecting it, and open the first menu to see these options: 1. Copy: When you import media files, Premiere Pro will copy the original files to a location you choose from the Primary Destination menu below.
This is a valuable option if you are importing media files directly from your camera storage, since media files must be available to Premiere Pro when your cards are not connected to the computer. Transcode: When you import media files, Premiere Pro will convert the files to a new format and codec based on the preset you choose and will place the new files in a destination location you choose. Create Proxies: When you import media files, Premiere Pro creates additional copies that are lower resolution, based on the preset you choose, and stores them in the location you choose from the Proxy Destination menu.
You would not want to use these files for your final delivery, but they open up the option of using a number of collaborative workflows as well as speeding up effect configuration. Copy and Create Proxies: When you import media files, Premiere Pro will copy the original files to a location you choose in the Primary Destination menu and create proxies that are stored in the Proxy Destination menu. Tip You can add a Toggle Proxies button to the Source Monitor or Program Monitor to quickly switch between viewing proxy or original media.
Choose Create Proxies, open the Preset menu, and try choosing a few options. Look at the Summary in the lower part of the dialog box that explains each option. When you have finished looking at the settings, click Cancel to exit without applying any of the options. This was just an introduction to the proxy media workflow. For more information about managing proxy files, linking proxy media, and creating new proxy file presets, see the Adobe Premiere Pro Help. Note To complete this lesson, you will import files from your computer.
Be sure you have copied all the lesson files included with this book to your computer. For best results, follow these guidelines no need to follow along for now : Create a new media folder for each project. Copy camera media to your editing storage with the existing folder structure intact. Be sure to transfer the complete data folder directly from the root directory of the card.
For best results, consider using the transfer application that is often included by the camera manufacturer to move your video files, or explore Adobe Prelude CC, which can automate much of this process.
Check that all media files have been copied and that the original card and the copied folder sizes match. Clearly name the copied folder of the media with the camera information, including card number and the date of the shoot. Create a second copy of the media on a physically separate, second drive in case of hardware failure. Really do actually create that second copy of your media on a physically separate drive!
Importing from Adobe Prelude Adobe Prelude is designed to allow producers or assistants to quickly and efficiently ingest, log, and transcode media convert format and codec for tapeless workflows. Launch Adobe Prelude. Open the project you want to transfer, and select one or more items in the Project panel.
Adobe Prelude has a similar appearance to Premiere Pro but with simplified controls. Select the Project check box. Enter a name in the Name field. In the Type menu, choose Premiere Pro. Click OK. The Choose Folder dialog box opens. Navigate to a destination for the new project, and click Choose.
A new Premiere Pro project is created. You can open the Premiere Pro project file directly, or you can import it into an existing project. This is no problem for Premiere Pro because you can mix different types of media in the same sequence.
Also, the Media Browser can display almost any media file type. AVCHD cameras. Apple ProRes. Image sequences, including DPX.
Blackmagic CinemaDNG. Phantom Cine camera. It has Forward and Back buttons to go through your recent navigation. It also has a list of shortcuts on the side. Finding materials is easy. Note When importing media, be sure to copy the files to your local storage, or use the project ingest options to create copies before removing your memory cards or external drives. Note When you open a project created on another computer, you may see a message warning you about a missing renderer.
Continue working with your My Lesson Click the Media Browser panel name to bring it to the front of the panel group it should be docked with the Project panel by default.
Tip Some keyboard layouts make it difficult to find the right key. The Media Browser panel should now fill the screen. You may need to adjust the width of columns to make it easier to see items. Click the Thumbnail View button at the bottom left of the Media Browser panel, and drag the resize slider next to it to enlarge the thumbnails of the clips.
You can use any size you like. Note The Media Browser filters out nonmedia and unsupported files, making it easier to browse for video or audio assets. You can hover your pointer over any unselected clip thumbnail, without clicking, to see a preview of the clip contents.
Click any clip once to select it. You can now preview the clip using keyboard shortcuts. When a clip is selected while in thumbnail view, a small preview timeline appears under the clip. Press the L key to play a clip. To stop playback, press the K key. To play backward, press the J key. Experiment with playing back other clips. You should be able to hear the clip audio during playback. You can press the J or L key multiple times to increase the playback rate for fast previews. Use the K key or the spacebar to pause playback.
Having completed the process of importing, the Project panel opens automatically and displays the clips you just imported. Like the Media Browser panel, clips in the Project panel can be viewed as icons or as a list, with information about each clip displayed. Switch between these two viewing modes by clicking the List View button or Icon View button , at the bottom left of the Project panel. Making the most of the Media Browser The Media Browser has a number of features that make it easy to navigate your storage.
The Forward and Back buttons work like those in a web browser, allowing you to navigate to locations you have viewed previously. If you expect to import files from a location often, you can add the folder to a list of favorites at the top of the navigation panel. You can limit the types of files displayed to make it easier to browse large folders by opening the File Types Displayed menu.
You can open multiple Media Browser panels and access the contents of several different folders at once. By default, limited information about clips is displayed in the list view. To display more information, you can add multiple columns of metadata by clicking the panel menu and choosing Edit Columns.
In the Edit Columns dialog box, select each type of metadata you would like to display. People expect graphics to both convey information and add to the visual style of a final edit. Premiere Pro can import just about any image and graphic file type. Anyone who works with print graphics or performs photo retouching has probably used Adobe Photoshop.
Importing single-layer image files Most graphics and photos you will work with will have a single layer—one flat grid of pixels that you can work with as a simple media file. Select the Project panel. When the Project panel is in icon view, it displays the contents of graphics as thumbnails.
A good example is Dynamic Link. This allows you to import After Effects compositions which are a little like Premiere Pro sequences into a Premiere Pro project in a way that creates a live connection between the two applications.
Once added in this way, the After Effects compositions will look and behave like any other clip in your Premiere Pro project. Importing layered Adobe Photoshop files Adobe Photoshop can create graphics with multiple layers.
Layers are similar to tracks in a Premiere Pro sequence and allow for separation between visual elements. You can import Photoshop document layers into Premiere Pro individually to allow for isolation when making adjustments or animation. These are layers with layer visibility turned off in Photoshop but not deleted. Premiere Pro honors the layer selection automatically on import. Merge All Layers: This merges all layers into one, importing the file into Premiere Pro as a single, flattened clip.
Merged Layers: This merges only the specific layers you select in this dialog box into a single, flattened clip. Individual Layers: This imports only the specific layers you select in this dialog box, with each layer becoming a separate clip in a bin in the Project panel. Sequence: This imports only the layers you select in this dialog box, each as a single clip.
Premiere Pro then automatically creates a new sequence with its frame size based on the imported PSD dimensions containing each clip on a separate track matching the original stacking order. Tip There are good reasons to import individual PSD layers with separate layer sizes. For example, some graphic designers create multiple images for editors to incorporate into video edits, with each image occupying a different layer in the PSD.
If you choose Sequence or Individual Layers, you can choose one of the following from the Footage Dimensions menu: 1. Document Size: This brings all the selected layers into Premiere Pro at the size of the original Photoshop document.
Layer Size: This matches the frame size of the new Premiere Pro clips to the frame size of their individual layers in the original Photoshop file. Layers are also then centered in the frame, losing their original relative positioning. For this exercise, choose Sequence, and choose Document Size. Sequences have a unique icon in List view Icon view and displayed over their thumbnail in. Note Remember, bins in the Project panel look and behave a lot like folders in your computer file system.
Bins exist only inside the project file and are a great way to stay organized. Image tips for Adobe Photoshop files Here are a few tips for importing images from Adobe Photoshop: 1. Remember that when you import a layered Photoshop document as a sequence, the frame size in Premiere Pro will be the same as the pixel dimensions of the Photoshop document. If you do plan to zoom or pan, create images so that the resulting zoomed or panned area of the image has a frame size at least as large as the frame size of the sequence.
Importing large image files uses more system memory and can slow down your system. As with any other media you import, changes made to the PSD file will update automatically in Premiere Pro when the file is saved.
This means a designer can continue to work on an image you have already incorporated into a sequence. Look at the sequence in the timeline.
The contents of the sequence are displayed in the Program Monitor. Try clicking the Toggle Track Output button at the left of the timeline for each track to reveal and hide the content on each layer. Bins have the same options as the Project panel, and opening multiple bins to browse their contents is a common way to navigate the available media in a project.
Vector graphics are mathematical descriptions of shapes rather than drawn pixels. This means you can scale them to any size and they always look sharp.
Vector graphics are typically used for technical illustrations, line art, or complex graphics. A clip linked to the Illustrator file you imported will appear in the Project panel. Notice the black text in the logo disappears into the black background of the Source Monitor. If you have Illustrator installed on your computer, choosing Edit Original will open this graphic in Illustrator, ready to be edited. It always merges them into a single layer clip.
This conversion happens during import automatically, so be sure your graphics are configured to be large enough in Illustrator before importing them into Premiere Pro. Premiere Pro sets all empty areas of Illustrator files as transparent so that clips on lower tracks in your sequence will show through. You can select a whole folder.
Try this now. Premiere Pro imports the folder and its contents, including two subfolders containing photos. You can click the disclosure triangle next to any bin to toggle the display of its contents.
If so, an information message will inform you that some files could not be imported. Importing VR video What is often referred to as VR video is really video that is best viewed using a VR headset as it captures an image in all degrees. When wearing a VR headset to view this kind of video, you can turn your head to look in different directions. There is no special import process for video—you can use the regular Import option, or you can use the Media Browser panel and import as you would any other video.
Premiere Pro expects prestitched equirectangular media, so you will have to use another application to prepare your media in this way prior to import. The excellent video workflows in Premiere Pro are beyond the scope of this book—check the online help for more information. Adobe Stock offers millions of images and videos you can easily incorporate into your sequences via the Libraries panel.
Note You may have noticed the word conform is used to describe both the way clip playback is adjusted to match sequence settings and the way certain formats are processed when imported to Premiere Pro.
This is particularly true for highly compressed formats, and the process is called conforming. If necessary, imported audio files are automatically conformed to a new CFA file conformed audio file. Most MPEG files are indexed, leading to an extra. The media cache improves preview playback performance by making it easier for your editing system to decode and play media. You can customize the cache to further improve performance.
A media cache database helps Premiere Pro manage these cache h iles, which are shared between multiple Creative Cloud applications. Here are the options: To move the media cache files or the media cache database to a new location, click the appropriate Browse button, select the desired location, and click Choose macOS or Choose Folder Windows.
In most cases, you should not move the media cache database during an editing project. Select Save. If you want to keep everything in one central folder, leave this option unselected. You should clean the media cache database on a regular basis to remove old conformed and indexed files that are no longer required. To do so, click the Delete Unused button. Any connected drives will have their cache files removed. The Media Cache Management options allow you to configure a degree of automation in the management of caches files.
Click Cancel to close the Preferences dialog box without saving your changes. Tape vs. To bring footage from tape into a Premiere Pro project, you can capture it. Capture digital video from tape to your system storage before using it in a project. There are three basic approaches: You can capture your entire videotape as one long clip. With some tape formats, you can use the scene detection feature in Premiere Pro to automatically create separate clips based on every time you pressed Record on your camera.
These come in several form factors, including internal cards and breakout boxes that connect via FireWire, USB 3. This can be helpful because it will give you a sense of timing for your edits. Try recording a scratch audio track. You may need to consult the documentation for your computer or sound card.
Every audio track has a set of buttons and options on the far left. This area is called the track header. Turn down your computer speakers, or use headphones to prevent feedback or echo. Increase the height of the A1 track. To increase the height of an audio track, drag down on the horizontal dividing line between two audio track headers, or hover the pointer over the track header, while holding Option macOS or Alt Windows , and scroll the mouse wheel.
In the Timeline panel, time moves from left to right, just as it does with any online video. At the top of the Timeline panel, where the time ruler is displayed, a playhead indicates the current frame displayed in the Program Monitor.
You can click at any point in the time ruler and the playhead will move to show that frame. You can also drag on the time ruler itself to view the contents of the current sequence.
This is called scrubbing like scrubbing a floor. After a brief countdown, recording will begin. Say a few words, and press the spacebar to stop recording. A new audio clip is created and added to the Project panel and the current sequence.
You may close it or leave it open for the next lesson. Where can media cache files be stored? How can you enable proxy media file creation when video is imported? The Media Browser understands the complex folder structures for P2, XDCAM, and many other formats, and it shows you the clips in a visually friendly way. If you want layers as separate clips, choose Individual Layers and select the layers to import, or choose Sequence to import the selected layers and create a new sequence from them.
You can store media cache files in any specified location or automatically on the same drive as the original files when possible. The faster the storage for your cache, the better the playback performance. You can enable proxy media file creation in the Ingest settings. You can also enable proxy creation by selecting the box at the top of the Media Browser.
Doing so can save you from spending hours hunting for things later. Alternatively, open the project file Lesson To begin, reset the workspace to the default. In the Workspaces panel, click Editing.
Then click the panel menu adjacent to the Editing option, and choose Reset To aved Layout. Rename the file to Lesson 04 Working. Anything that appears in a sequence must also be in the Project panel.
If you delete a clip in the Project panel that is already used in a sequence, the clip will automatically be removed from the sequence. Premiere Pro will warn you if deleting a clip will affect an existing sequence. In addition to acting as the repository for all your clips, the Project panel gives you important options for interpreting media.
All your footage will have a frame rate frames per second, or fps and a pixel aspect ratio pixel shape , for example. You may want to change these settings for creative or technical reasons. S he Project panel in List view.
To switch to this view, click the List View button at the bottom left of the panel. You might receive a video file that has the wrong pixel aspect ratio setting and want to correct it.
Premiere Pro uses metadata associated with footage to know how to play it back. If you want to change the clip metadata, you can do so in the Project panel. The default Editing workspace is designed to keep the interface as clean as possible so you can focus on your creative work.
Open the Project panel menu. Choose Preview Area. The Preview Area shows useful information about clips when you select them. Tip You can access lots of clip information by scrolling the List view or by hovering your pointer over a clip name. You can do this with any panel. The Preview Area shows you several kinds of useful information about a selected clip in the Project panel, including the frame size, pixel aspect ratio, and duration. Click the Poster Frame button to set the clip thumbnail displayed in the Project panel.
Choose Preview Area from the Project panel menu again to hide it. Finding assets in the Project panel Working with clips is a little like working with pieces of paper at your desk.
But when you have to , you need an organizational system. One way you can help make things smoother during the edit is to invest a little time in organizing your clips at the beginning. Tip You can scroll the Project panel view up and down using the scroll wheel on your mouse, or using a gesture if you have a touchpad.
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